Issue 40 winter 23 web - Flipbook - Page 57
paving pattern for the courtyard, even in the Pavilion's
absence. Building upon the historical foundation, the new
design maintains the specific number of pink and grey
stones from the previous pattern, striving for as close a
match as possible. Traditional mosaic techniques were
employed to create a gradated pattern within the centre
of the two circular forms, allowing precise control of the
pink cobblestone numbers and adding another layer of
richness to the pattern.
The design team recognized the importance of respecting
the historical character of the site. In particular the
granite cobbled courtyard and York stone perimeter were
integral to William Young's original vision. The specific
cobblestone pattern in place was not originally conceived
by Young but was a later addition during a specific phase
in the courtyard's history when a memorial statue stood
at its centre. Our pavilion's circular form in the northern
half of the quadrangle presented an opportunity to
achieve perfect mirror symmetry in the north/south axis
and radial symmetry within the squares.
Material selection for the Pavilion was critical. Stainless
steel roof panels and finely crafted glass facades contribute
to the Pavilion's contemporary aesthetics and ensure
long-term durability. The Pavilion is designed with disassembly and afterlife in mind, emphasizing sustainability
and adaptability for the future. This innovative approach
allows for easy maintenance, replacement, or potential
relocation, further demonstrating a commitment to
responsible architecture.
Leveraging this unique positioning, the design team
embarked on a thoughtful redesign of the cobblestones,
drawing inspiration from the Pavilion's 20 repeated bays.
This new cobblestone pattern seamlessly integrates the
Pavilion and the cobbled surface into a unified compositional system. When extended across the entire courtyard, this pattern also establishes a logical path connecting
the residential and hotel entrances, enhancing the
functionality and flow of the space.
The Grand Courtyard's transformation extends beyond
the Pavilion alone. The addition of a stunning five-meter
sculptural fountain provides a dynamic counterpart to the
Pavilion's serenity. The interplay of real water and
reflected metal waves creates a dramatic and immersive
The ingenuity of this cobblestone design lies not only in
its symbiotic relationship with the Pavilion but also in its
ability to stand on its own as an aesthetically pleasing
Below, the sculptural interior
i
i
Conservation & Heritage Journal
55