Alonso Berruguete, Reinassance Sculptor - Page 47



Fig. 41. Alonso Berruguete, Sybil, Retable on the
main altar of San Benito el Real (Valladolid),
Museo Nacional de Escultura, Valladolid.
Fig. 42. Alonso Berruguete, detail, Retable of the
Epiphany, church of Santiago, Valladolid.
Fig. 43. Leonardo da Vinci, Adoration of the Magi,
Galleria degli Uffizi, Florence.
Made for the chapel of the banker, Diego de Haya, this work
was based on the retable of the Presentation in the Temple in
the chapel of the Condestable in Burgos Cathedral, perhaps
requested by the patron. The design included a single scene
of the Adoration of the Magi made up of three groups of figures
in the central section of the retable (fig. 42), and recalled the
famous unfinished work by Leonardo da Vinci on the same
theme painted between 1481 and 1482, now in the Galleria
degli Uffizi in Florence (fig. 43).27 Below the large scene, in the
centre, was a statue of Christ tied to the column, of which there only
46
Fig. 40. Alonso Berruguete, Saint Maurus saving Saint Placidus from drowning, Retable on the main altar of San Benito el Real (Valladolid),
survives an architectural element, but which is known from a
Museo Nacional de Escultura, Valladolid.
drawing also in Uffizi (see fig. 49 below).28
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