Colnaghi Foundation Journal 01 - Page 168



PU B L I CATI O N C R EDITS
P HOTO GRA P H I C C R E DI TS
Colnaghi Studies
Every effort has been made to trace copyright holders and obtain permission for the use
of copyright material. The publisher apologises for any errors or omissions in the list
below and would be grateful if notified of any corrections that should be incorporated
in future reprints or editions of this book.
Journal / 1
October 2017
Publisher COLNAGHI FOUNDATION
Project Director Ricardo Fernández-Deu
Editors Nicola Jennings, Jeremy Howard and José Gómez Frechina
Associate Editor Irene Brooke
Design Laura Eguiluz de la Rica
Project Coordinators Sarah Gallagher and Héctor San José
Picture Researchers Elisa Salazar and Sarah Gallagher
Printing & Binding Jiménez Godoy
ISBN: 978-0-9935606-2-0
Published by Colnaghi Foundation
Copyright © Colnaghi Foundation, 2017
Two newly-discovered paintings of The Return of the Prodigal Son by Mattia Preti
London
Figs. 1, 2. © Colnaghi.
Fig. 3. Courtesy of a private collector.
M ilan
Fig. 7. © Marco Voena.
M unich
Fig. 6. Munich, Alte Pinakothek Muenchen, Bayerische Staatsgemaeldesammlungen. © 2017.
Andrea Jemolo/Scala, Florence.
Naples
Fig. 5. © Album / akg-images / Andrea Jemolo.
Fig. 8. © 2017. Photo Scala, Florence - courtesy of the Ministero Beni e Att. Culturali.
Fig. 10. © Blindarte, Naples.
R eggio C alabria
Fig. 9. Reggio Calabria, Museo Nazionale della Magna Grecia. © 2017. Andrea Jemolo/Scala,
Florence.
Washington
Fig. 4. Courtesy of The National Gallery of Art, Washington.
A new Holy Family by the Spanish Renaissance master Joan de Joanes
Barcelona
Fig. 10. © Paco Alcántara.
B erlin
Fig. 7. © 2017 Staatliche Museen zu Berlin.
London
Figs. 1, 6. © Colnaghi.
M adrid
Fig. 11. © Fundació Institut Amatller d Art Hispànic. Arxiu Mas.
S t. P etersburg
Fig. 2. The State Hemritage Museum, St. Petersburg. Photograph The State Hermitage
Museum / photo by Vladimir Terebenin.
Valencia
Figs. 3, 4, 5, 8, 9, 10, 12, 13, 14.© Paco Alcántara.
An unpublished Vanitas painting by Andrés De Leito
Barcelona
Figs. 5, 6. © Fundació Institut Amatller d Art Hispànic, Arxius Mas, Barcelona.
London
Figs. 1, 9. © Colnaghi.
Fig. 15. © The Trustees of the British Museum.
M adrid
Fig. 3. © Album / Oronoz.
Figs. 7, 8. © Colección Abelló, Madrid.
Figs. 10, 11. © Duke of the Infantado Collection.
Fig. 12. Márquez de la Plata Collection.
Fig. 13. Banco Soler Collection.
Fig. 16. © Coll & Cortés.
Palencia
Fig. 14. © Diócesis de Palencia.
S egovia
Fig. 2. © Obispado de Segovia. Photography by Carlos Herraiz.
V ienna
Fig. 4. © Album / akg-images.
Luis Quijada: Pompeo Leoni’s Portrait of a Knight of the Order
of Alcántara or Calatrava Identified
All rights reserved.
No part of this publication may be transmitted in any form or
by any means, electronic or mechanical, including photocopy,
recording, or any storage and retrieval system, without the
prior permission in writing from the publisher.
A sturias
Fig. 14. © Album / Oronoz.
London
Figs. 1, 2. © Colnaghi.
M adrid
Fig. 7. © Biblioteca Nacional de España.
Figs. 8, 12. © Museo Nacional del Prado.
Figs. 10, 11, 13. © Patrimonio Nacional.
Segovia
Fig. 15. © Album / Oronoz.
Valladolid
Figs. 3, 4, 5, 6. © Museo Colegiata de San Luis, Villagarcía de Campo.
V ienna
Fig. 9. © Album / Mondadori Portfolio / Remo Bardazzi / Electa.
A rediscovered painting of Our Lady of the Immaculate Conception by Alonso Cano
G ranada
Figs. 7, 8. © Album / Oronoz.
London
Fig. 3. © The National Gallery, London.
M adrid
Fig. 4. © Church of the Colegio Imperial, Madrid.
Fig. 5. © Private Collection, Madrid.
Fig. 6. © Biblioteca Nacional de España.
Fig. 9. Private Collection © Coll & Cortés.
S evilla
Fig. 2. © Album / akg-images / Joseph Martin.
“The volatile and vivacious connoisseur of the old school”: A Portrait
of the Victorian Art Dealer Martin Colnaghi (1821-1908) and his
Relationship with the National Gallery, London
London
Figs. 1, 3, 4, 5, 6, 7, 9, 10. © The National Gallery, London.
Fig. 2. © Colnaghi.
Fig. 8. © Tate, London 2017.
Titian’s Unidentified Donor Presented to the Virgin and Child
by Saint Luke at Hampton Court
London
Figs. 1, 3. Sotheby’s.
Figs. 2, 6. © The Trustees of the British Museum.
Figs. 4, 5. Royal Collection Trust /© Her Majesty Queen Elizabeth II 2017.
N ottingham
Fig. 7. Courtesy of Nottingham City Museums and Galleries.
V ienna
Fig. 8, 9. Dorotheum.
The Sutherland Gallery at Stafford House: contents and display.
Budapest
Fig. 15. Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary / UIG / Bridgeman Image.
C hantilly
Fig. 16. Musee Conde, Chantilly, France / Bridgeman Images.
D etroit
Fig. 3. Detroit Institute of Arts, USA / City of Detroit Purchase / Bridgeman Images.
K arlsruhe
Fig. 13. bpk/Staatliche Kumsthalle Karlsruhe/ Annette Fischer/Helke Kohler.
London
Figs. 1, 2, 11. © National Portrait Gallery, London.
Fig. 6. Retroimages.
Fig. 9. Courtesy of the Crown Estate © Matthew Hollow Photography.
Fig. 19. Historic England Archive.
Figs. 20, 21. © Crown Copyright: UK Government Art Collection.
Los Á ngeles
Fig. 4. Digital image courtesy of the Getty’s Open Content Program.
N ew York
Fig. 17. © 2000–2017 The Metropolitan Museum of Art.
P reston
Fig. 22. Harris Museum and Art Gallery, Preston, Lancashire, UK / Bridgeman Images.
S outhampton
Fig. 8. Southampton City Art Gallery, Hampshire, UK / Bridgeman Images.
S utherland
Figs. 10, 18. By kind permission from The Sutherland Dunrobin Trust.
Washington
Figs. 5, 14. Courtesy National Gallery of Art, Washington.
M isc .
Fig. 12. © Private Collection.
Three pictures by G.C. Procaccini at Colnaghi: The Agony in the Garden; Christ Meeting
his Mother on the Road to Calvary; The Holy Family
E dinburgh
Fig. 4. © National Galleries of Scotland.
G eneva
Fig. 7. Reproduced with kind permission of Rob Smeets Old Master Paintings, Geneva.
London
Fig. 2. © Christie’s Images Limited 2016.
Figs. 5, 6. © Colnaghi.
Fig. 9. The Daniel Katz Family Trust.
M adrid
Fig. 1. © Coll & Cortés.
Paris
Fig. 10. © Galerie Canesso, Paris.
S an D iego
Fig. 8. San Diego Museum of Art, USA / Museum purchase with funds provided anonymously by a
trustee in honor of John B. and Mary C. Zolezzi / Bridgeman Images.
Misc.
Fig. 3. © Private Collection, USA.

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