Colnaghi Foundation Journal 02 - Page 198



PU B L I CATI O N C R EDITS
P HOTO GRA P H I C C R E DI TS
Colnaghi Studies
Journal / 2
March 2018
Every effort has been made to trace copyright holders and obtain permission for the use
of copyright material. The publisher apologises for any errors or omissions in the list
below and would be grateful if notified of any corrections that should be incorporated
in future reprints or editions of this book.
Publisher COLNAGHI FOUNDATION
Project Director Ricardo Fernández-Deu
Editors Nicola Jennings, Jeremy Howard and José Gómez Frechina
Associate Editor Irene Brooke
Design Laura Eguiluz de la Rica
Project Coordinator Sarah Gallagher
Picture Researchers Elisa Salazar and Sarah Gallagher
Printing & Binding Jiménez Godoy
ISBN: 978-0-9935606-6-8
Published by Colnaghi Foundation
Copyright © Colnaghi Foundation, 2018
The sculptor Soldani’s attempt to market Filippo Baldinucci’s collection of paintings
D ouai
Fig. 9 © Musee de la Chartreuse, Douai, France / Bridgeman Images.
F lorence
Fig. 4 © Palazzo Pitti, Florence, Italy / Bridgeman Images.
Figs. 6, 8 and 14 © Gabinetto Fotografico delle Gallerie degli Uffizi.
Figs. 12, 13 and 15 © 2017. Photo Scala, Florence – Courtesy of the Ministero Beni e Att. Culturali
e del Turismo.
F rankfurt
Fig. 16 © Städel Museum, Frankfurt-am-Main.
London
Fig. 1 © Dr. Charles Avery.
Figs. 2 and 6 Royal Collection Trust / © HM Queen Elizabeth II 2018.
Figs. 5 and 7 © Matthew Hollow Photography.
N ew York
Fig. 17 © New York, Private Collection (Courtesy Robert Simon Fine Art).
Fig. 18 © The Metropolitan Museum of Art, New York.
S ao Paulo
Fig. 11 © Museu de Arte Sacra, Sao Paulo, Brazil / Bridgeman Images.
M isc .
Fig. 3 Wikiart.
Francisco Ribalta’s Vision of Father Simó: British taste and the legacy
of Sebastiano del Piombo in Spanish painting
Barcelona
Fig. 16 © Museo Nacional d’Art de Catalunya.
K entucky
Fig. 3 © Collection of the University of Kentucky Art Museum, Purchase: Gaines Challenge Fund.
London
Figs. 1 and 2 © The National Gallery, London.
M adrid
Figs. 4, 9, 11 and 12 © Photographic Archive Museo Nacional del Prado.
Fig. 10 © Carlos Herraiz.
Oxford
Fig. 13. © Courtesy of Magdelen College, Oxford.
Valencia
Figs. 5, 6 and 14 © Museo del Patriarca.
Fig. 7 © Paco Alcántara
Fig. 8 © Real Colegio Seminario de Corpus Christi.
Fig. 15 © Ministery of Education, Culture and Sport – Government of Spain.
Love, lies, and litigation: the saga of Alessandro Vittoria’s Saint John the Baptist
London
Figs. 5, 8, 9, 11, 12, 13 and 14 © Victoria Avery.
Fig. 6 © The Trustees of the British Museum.
Fig. 7 The Royal Collection. © 2018 Her Majesty Queen Elizabeth II.
V enice
Figs. 1 and 2 © Osvaldo Böhm, Venice.
Fig. 4 Per gentile concessione della Procuratoria della Basilica di San Marco, Venice / Fondazione
Giorgio Cini / Matteo De Fina, Venice.
V ienna
Figs. 3 and 10 © KHM-Museumsverband.
On a new Dead Christ on the Cross by Alonso Cano
Barcelona
Figs. 8, 9, 11, 12 and 13 © Album / Oronoz.
G ranada
Fig. 6. © Instituto Gómez-Moreno. Fundación Rodríguez Acosta.
London
Fig. 3. © The Trustees of the British Museum.
M adrid
Fig. 1. Private Collection.
Paris
Fig. 4. © Musée du Louvre.
S evilla
Fig. 5. © Parroquia de Ntra. Sra. de Consolación. El Coronil.
All rights reserved.
No part of this publication may be transmitted in any
form or by any means, electronic or mechanical, including
photocopy, recording, or any storage and retrieval system,
without the prior permission in writing from the publisher.
The taste for Paolo Veronese in early Stuart London
A jaccio
Fig. 9 © Classicpaintings / Alamy Stock Photo.
E dinburgh
Fig. 1 Purchased by the Royal Institution 1859; transferred to the National Gallery of Scotland 1867.
Fig. 18 Purchased with help from the Art Fund, the National Heritage Memorial Fund and the
Pilgrims Trust 1987, National Galleries of Scotland.
F lorence
Fig. 16 © Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images.
G lasgow
Fig. 8 Art Gallery and Museum, Kelvingrove, Glasgow, Scotland / © CSG CIC Glasgow Museums
Collection / Bridgeman Images.
London
Figs. 4 and 6 © The National Gallery, London.
Figs. 14 and 17 Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018.
M adrid
Figs. 2, 3, 5, 15 and 20 © Photographic Archive Museo Nacional del Prado.
O lomouc
Fig. 7 © Arcidiecézní muzeum Kromerí (Archdiocesan Museum Kromerí), Zdenek Sodoma.
Oxford
Fig. 12 © Christ Church, University of Oxford.
P rague
Fig. 10 © Prague Castle Art Collections.
V ienna
Figs. 11, 13 and 19 © KHM-Museumsverband.
Rediscovering the Master of the Saint George and the Princess:
new paintings
Barcelona
Figs. 2a, 2b and 3 © Fundació Institut Amatller d’Art Hispànic – Arxiu Mas.
Fig. 7 © Galería Bernat.
Fig. 14 © Fundación Francisco Godia.
G asbeek
Fig. 10 © Gaasbeek Castle.
M adrid
Fig. 4 © Photographic Archive Museo Nacional del Prado.
Figs. 5a, 5b , 8, 9a and 9b © Alberto Velasco.
Valencia
Fig. 1 © Museu Nacional d’Art de Catalunya.
N ew York
Fig. 6 © 2018 Christie’s Images Limited.
S itges
Figs. 11, 12 and 13 © Consorci del Patrimoni de Sitges.
Reworking and erasure in two drawings by the aged Michelangelo
B oston
Figs. 3 and 5 Imaging Department © President and Fellows of Harvard College.
London
Fig. 7 Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018.
Fig. 9 © 2018 Christie’s Images Limited.
Oxford
Figs. 1, 2 and 4 © Ashmolean Museum, University of Oxford.
Paris
Fig. 8 © RMN-Grand Palais (musee du Louvre) / Martine Beck-Coppola.
Fig. 10 © RMN-Grand Palais (musee du Louvre) / Thierry Le Mage.
Fig. 11 © RMN-Grand Palais (musee du Louvre) / Martine Beck-Coppola.
Enbíes tu graçia e acreçientes sus virtudes. Female power, virtue and the
Querelle des femmes in Constanza de Castilla’s tomb
M adrid
Figs 2, 3, 4, 5, 6, 7, 8 and 9 © Diana Lucía Gómez-Chacón.
Figs. 1, 10 and 11 © Museo Arqueológico Nacional.
Pedro Orrente, the Spanish Bassano, as a painter on copper
B ilbao
Fig. 7 © Bilboko Arte Ederren Museoa-Museo de Bellas Artes de Bilbao.
B irmingham , USA
Fig. 4. © Birmingham Museum of Art, Gift of the Samuel H. Kress Foundation, 1961.114.
F lorence
Fig. 8 © Scala, Florence.
London
Figs. 1 and 2 © Colnaghi.
Fig. 3 © Bonhams.
Fig. 10 © The National Gallery, London.
M urcia
Fig. 9 © Archivo Museo de bellas Artes de Murcia.
S alamanca
Fig. 14 © Fundació Fundació Institut Amatller d Art Hispànic. Arxiu Ma.
Toledo
Fig. 6 © Catedral Primada de Toledo.
Fig. 15 © David Blázquez.
Valencia
Fig. 5. © Paco Alcántara
Y este
Figs. 11, 12 and 13 © Paco Alcántara.

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