Colnaghi Foundation Journal 03 - Page 13



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'Actaeon not words'
'Actaeon not words'
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A P PEN D I X O F J EN N I F ER F L ETC H ER ’ S PU B LICATIO NS
Compiled by Jane Martineau
1979 “Francesco Salviati and Rimigio Fiorentino,” The Burlington Magazine 121: pp. 793-795.
Exhibition reviews
Books and Catalogue Essays
1981 “Marcantonio Michiel: His Friends and Collection,” The Burlington Magazine 123: pp.
452-467.
1979 “Current and Forthcoming Exhibitions: Venetian Seventeenth-Century Painting at the
National Gallery,” The Burlington Magazine 121: p. 660.
1981 “Marcantonio Michiel, ‘che ha veduto assai’,” The Burlington Magazine 123: pp.
602-609.
1979 “Stanley Spencer: Visions from a Berkshire Village, by Duncan Robinson.”
1968 Peter Paul Rubens (London: Phaidon).
1981 “Isabella d’Este: Patron and Collector,” in The Splendours of the Gonzaga, eds. David
Chambers and Jane Martineau, exh. cat. (London: Victoria and Albert Museum), pp. 51-63.
1982 “The Glory of the Female Sex: Women Artists c.1500–1600,” in The Women’s Art Show,
exh. cat (Nottingham: Castle Museum and Art Gallery), pp. 7-20.
1983 “Patronage in Venice,” in The Genius of Venice, eds. Jane Martineau and Charles Hope,
exh. cat. (London: Royal Academy of Arts), pp. 16-20.
1985 Murillo entries in Collecting for a King, exh. cat. (Washington, DC: National Gallery of Art).
1989 Bellini and Guercino entries in One Hundred Masterpieces from the Courtauld Collection, ed.
Dennis Farr, exh. cat. (London: Courtauld Institute).
1992 With David Chambers and Brian Pullen, Venice a Documentary History 1450–1650
(Oxford: Oxford University Press).
2003 “Titian as a Painter of Portraits,” in Titian, ed. David Jaffé, exh. cat. (London:
National Gallery), pp. 31-42.
2006 “La vraie ressemblance: les portraits de Titien” in Titien, Le pouvoir en face (Paris: Musée
de Luxembourg), pp. 25-50.
2008 “The Renaissance Portrait; Functions, Uses and Display,” in Renaissance Faces: Van
Eyck to Titian, eds. Lorne Campbell et al., exh. cat. (London: National Gallery), pp. 4666, published in Spanish, “El retrato renacentista: funciones, usos y exhibción,” in El retrato del
Renacimiento, ed. Miguel Falomir (Madrid: Museo del Prado), pp. 71-89.
2009 “Donor Portraits in Venetian and Veneto Altarpieces during the Renaissance,”
in The Petrobelli Altarpiece, ed. Xavier F. Salomon, exh. cat. (London: Dulwich Picture
Gallery), pp. 25-59.
1990 “Titian, Venice and Washington,” The Burlington Magazine 132: pp. 740-744.
1989 “Bernardo Bembo and Leonardo's Portrait of Ginevra de' Benci,” The Burlington
Magazine 131: pp. 811­- 816.
1994 “Isabella d'Este, Vienna,” The Burlington Magazine 136: pp. 398-400.
1990 “Harpies, Venus and Giovanni Bellini’s Classical Mirror: Some Fifteenth-Century
Venetian Painters’ Responses to the Antique,” in Venezia e l’Archaeologia: Congresso
Internazionale, eds. Gustavo Traversari and Irene Favaretto (Rome: Bretschneider), pp.
170-176.
1996 “’Toda Pulchra’: Velázquez in Seville, Edinburgh,” Apollo 144: pp. 50-52.
1990-1991 “Fatto al specchio: Venetian Renaissance Attitudes to Self-Portraiture,” in Fenway
Court (Boston: Isabella Stewart Gardner Museum), pp. 4-16.
2000 “La Storia di Venezia attraverso le Medaglie, by P. Voltolina, Venice 1998,” The Medal 36: pp. 101-103.
1999 “Padua in the 1450s: Marco Zoppo and his Contemporaries, by H. Chapman,” Renaissance
Studies 13: pp. 80-87.
2004 “The Age of Titian, Edinburgh,” The Burlington Magazine 146: pp. 778-781.
1991 With David Skipsey, “Death in Venice: Giovanni Bellini and the Assassination of St
Peter Martyr,” Apollo 134: pp. 153-158.
1991 “The painter and the Poet: Giovanni Bellini’s Portrait of Raffaele Zovenzoni
Rediscovered,” Apollo 134: pp. 153-158.
2010 “Cima da Conegliano, Conegliano,” The Burlington Magazine 152: pp. 500-502.
Book reviews
1971 “Rich and Poor in Renaissance Venice, by B. Pullen,” The Burlington Magazine 113: p. 747.
1992 With Robin Simon, “The Courtauld: Past, present and future,” Apollo 368: pp.
206-207.
1974 “1650. Giardino di Chà Gualdo, by G. Gualdo and L. Puppi,” The Burlington Magazine 116: p. 680.
1993 “Mantegna and Venice,” in Mantegna and Fifteenth-Century Court Culture, eds. Francis
Ames-Lewis and Anka Bednarek (London: Birbeck College), pp. 17-26.
1976 “The Paintings in the Studiolo of Isabella d'Este at Mantua, by E. Verheyen,” The Burlington
Magazine 118: pp. 426-427.
1993-1994 “The Bellini: A Venetian Family Firm,” Rivista: The Journal of the British–Italian
Society (November–January): pp. 2-6.
1976 “Gian Paolo Lomazzo: Scritti sulle Arti,” The Burlington Magazine 118: pp. 712-713.
1981 “Andrea Schiavone, by F. Richardson,” The Burlington Magazine 123: pp. 491-493.
1994 “Fine Art and Festivity in Renaissance Venice: The Artists’ Part,” in Sight and
Insight: Essays on Art and Culture in Honour of E. H. Gombrich, ed. John Onians (London:
Phaidon), pp. 128-151.
1983 “Alvise Vivarini, His Art and Influence, by J. Steer,” The Burlington Magazine 125: pp. 99-101.
1984 “La Pittura Veneziana nel Seicento, by R. Pallucchini,” The Burlington Magazine 126: pp. 581-582.
1996 “The Arundels in the Veneto,” Apollo 144: pp. 63-69.
Articles
1986 “La peinture narrative de Carpaccio dans le cycle de Ste Ursule, by F. Bardon,” The Burlington
Magazine 128: pp. 427-428.
1971 “Isabella d'Este and Giovanni Bellini's ‘Presepio’,” The Burlington Magazine 113: pp. 703-713.
1998 “I Bellini,” in La bottega dell’artista tra Medioevo e Rinascimento, ed. Roberto Cassanelli,
(Milan: CDE), pp. 131-153.
1972 “The Provenance of Bellini's Frick ‘St Francis’,” The Burlington Magazine 114: pp. 206-215.
2001 “Carpaccio at the Courtauld Institute,” British Art Journal 2: pp. 71-74.
1973 “Marcantonio Michiel’s Collection,” Journal of the Warburg and Courtauld Institutes 36: pp.
382-384.
2004 “Coleccionistas, aficionados y el arte del retrato,” El retrato en el Museo del Prado
(Barcelona/Madrid: Galaxia Gutenberg), pp. 117-132.
1973 “Sources of Carpaccio in German Woodcuts,” The Burlington Magazine 115: pp. 599-601.
2004 “Bellini’s Social World,” in The Cambridge Companion to Giovanni Bellini, ed. Peter
Humfrey (Cambridge: Cambridge University Press), pp. 13-47.
1996 “Painting in Renaissance Venice, by Peter Humfrey,” The Burlington Magazine 138: p. 135.
2005 “Figuras en el paisaje en las obras de Tiziano del Museo del Prado,” in Tiziano y el
legado veneciano (Barcelona/Madrid: Galaxia Gutenberg), pp. 191-204.
1996 “Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490­-1530, by A. Luchs,”
The Burlington Magazine 138: pp. 831-832.
2005 With Reinhold Mueller, “Bellini and the Bankers: the Priuli Altarpiece for S. Michele
in Isola, Venice,” The Burlington Magazine 147: pp. 5-15.
1997 “Natura e Arte nel Paesaggio Veneto: Dalle Interpretazioni Pittoriche alla Immagini Fotografiche,”
The Burlington Magazine 139: pp. 482-483.
2013 With Jill Dunkerton and Paul Joannides, “A portrait of ‘Girolamo Fracastoro’ by
Titian in the National Gallery,” The Burlington Magazine 150: pp. 4-15.
2000 “Tiziano e Federico II Gonzaga: Storia di un rapporto di committenza, by D. Bodart,” The
Burlington Magazine 142: pp. 637-638.
1989 “Venetian Narrative Painting in the Age of Carpaccio, by P. Fortini Brown,” The Burlington
Magazine 131: pp. 651-652.
1990 “The Dress of the Venetians, 1495-1525, by S. M. Newton,” The Burlington Magazine 132: pp. 419-420.
1991 “Giovanni Bellini, by Rona Goffen,” The Burlington Magazine 133: pp. 777-780.
1974 “Francesco Angeloni and Annibale Carracci's ‘Silenus Gathering Grapes’,” The
Burlington Magazine 116: pp. 664-666.
1975 “Bellini; the Light of Venice,” Sunday Times Magazine (14 December): pp. 22ff.
1979 “Marco Boschini and Paolo del Sera: Collectors and Connoisseurs,” Apollo 111: pp.
416-424.
1979 “Filippo Napoletano's Museum,” The Burlington Magazine 121: pp. 649-650.
2009 “National Gallery Catalogues. The Sixteenth-Century Italian Paintings. Vol. II Venice, 1540-1600,
by N. Penny,” The Burlington Magazine 151: pp. 584-550.
2015 “Bartolomeo Cincani, detto Montagna: Dipinti, by M. Lucco, with contributions by M. E.
Avagnina, M. Barausse and G. C. F. Villa,” The Burlington Magazine 157: pp. 710-711.

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