Colnaghi Foundation Journal 03 - Page 206



204
205
PH OTO G RAP H I C C R EDITS
Every effort has been made to trace copyright holders and obtain permission for the use
of copyright material. The publisher apologises for any errors or omissions in the list
below and would be grateful if notified of any corrections that should be incorporated
in future reprints or editions of this book.
A Renaissance Madonna and Child with the Infant St. John the Baptist in Kirkcaldy
Ascott
Fig. 12 © National Trust Images / John Hammond
Florence
Fig. 2 © Reproduced with the permission of Ministero per i Beni e le Attività Culturali / Finsiel /Alinari Archives
Figs. 3, 6 © 2018. Photo Scala, Florence – courtesy of the Ministero Beni e Att. Culturali e del Turismo
Fig. 4 © Justin Piperger Photography
Genoa
Fig. 9 © With the permission of the Ministero dei Beni e delle Attivitá Culturali e del Turismo –
Palazzo Reale de Genova
Kirkaldy
Fig. 1 © Kirkcaldy (Fife), Museum and Art Gallery
Merthr Tydfil
Fig. 11 © Cyfartha Castle Museum & Art Gallery, Merthyr Tydfil
Moscow
Fig. 8 © Photo Fine Art Images / Heritage Images / Scala, Florence
Nantes
Fig. 5 © RMN-Grand Palais / Gérard Blot
Misc.
Fig. 7 © Minerva Auctions
Fig. 10 © Image Courtesy of Pandolfini Auctions
Too many cooks …; Cerezo, Barranco, De Leito and the kitchen still life in Madrid
Madrid
Fig. 1 © The Picture Art Collection / Alamy Stock Photo
Fig. 6 Wikimedia Commons
Figs. 8, 9 ,11, 12 © Joaquín Cortés
Mexico City
Fig. 2, 3 © Courtesy of the Museo San Carlo, Mexico City
Budapest
Fig. 13 Peter Cherry
Barcelona
Fig. 4, 5 © Fundació Institut Amatller d Art Hispànic, Arxius Mas, Barcelona
Durham
Fig. 10 © Courtesy The Auckland Project
Misc.
Figs. 7, 14, 15, 16, 17, 18 Peter Cherry
The presence of portraits in Paolo Veronese’s narrative paintings
Dresden
Fig. 13 © bpk / Staatliche Kunstsammlungen Dresden / Herbert Boswank
Madrid
Fig. 9 Wikimedia Commons
Fig. 12 © Heritage Image Partnership Ltd / Alamy Stock Photo
Modena
Fig. 7 © 2018. Photo Scala, Florence – courtesy of the Ministero Beni e Att. Culturali e del Turismo
New York
Fig. 11 © 1998-2017 The Frick Collection.
Paris
Fig 1 © RMN-Grand Palais (musée du Louvre) / Michel Urtado
Fig. 3 © RMN-Grand Palais (musée du Louvre) / Gérard Blot / Jean Schormans
Fig. 14 © RMN-Grand Palais (musée du Louvre) / Gérard Blot
Venice
Fig. 2 © 2018. Cameraphoto / Scala, Florence
Figs. 5, 6, 8, 10 © 2018. Photo Scala, Florence – courtesy of the Ministero Beni e Att. Culturali e del Turismo
Vicenza
Fig. 4 © akg-images / Cameraphoto
The Bridgewater Collection and its picture frames
Amsterdam
Fig. 1 © Courtesy of a Private Collector
Edinburgh
Figs. 11, 14, 15, 16, 17, 19 Nicola Jennings
Princeton
Fig. 2 Google Inc.
UK
Figs. 8, 9, 10, 12, 13, 18, 20, 21 © Courtesy of a Private Collector
Fig. 4 © Courtesy of a Private Collector
Fig. 6, 7 © Historic England archive
Misc.
Fig. 3, 5 Peter Humfrey
Vittore Carpaccio (1460/1466? – 1525/1526), an innovative draughtsman
London
Fig 1 © The Samuel Courtauld Trust, The Courtauld Gallery, London
Figs. 2, 3 © Trustees of The British Museum
New York
Fig 4 © The Morgan Library & Museum. 2006. 46
Washington D.C.
Fig 5 Courtesy National Gallery of Art, Washington
Velázquez composes: prototypes, replicas and transformations
Apsley House
Fig. 1 © Historic England Archive
Fig. 8 © Historic England Archive
Chicago
Fig. 2 Wikimedia Commons
Devon
Fig. 13 © The Picture Art Collection / Alamy Stock Photo
Dublin
Fig. 6 Wikimedia Commons
Houston
Fig. 3 © Museum of Fine Arts, Houston
London
Fig. 12 © The Wallace Collection
Madrid
Figs. 4, 5 Wikimedia Commons
Fig. 10 Wikiart
Fig. 11 © Museo del Prado
Rouen
Fig. 16 © RMN-Grand Palais / Gérard Blot
Toledo, Ohio
Fig. 17 Toledo Museum of Art, (Toledo Ohio), Gift of Edward Drummond Libbey, 1926.85
Toronto
Fig. 15 The Thomas Fisher Rare Book Library, University of Toronto
Misc.
Fig. 7, 9, 14, 18 Photo: M. Golden, C. Rogge, Z. Véliz Bomford, Museum of Fine Arts, Houston
Reflections on the date and impact of Giovanni Bellini’s Saint Vincent Ferrer Polyptych
Arbe
Fig. 10 Antonio Mazzotta
Rome
Fig. 11 © 2018. Photo Scala, Florence
Venice
Figs. 8, 9 Mauro Magliani
Figs. 2, 3, 4, 5, 6, 7 © 2018. Cameraphoto / Scala, Florence
Figs. 1, 12, 13 Antonio Mazzotta
Due donne virili: Laura Martinozzi, Angelica Kauffman, and a rediscovered drawing by
Andrea Lanzani
Dosso del Liro
Fig. 5 Amanda Bradley
Milan
Fig. 8 Amanda Bradley
Pavia
Fig. 7 Amanda Bradley
Rho
Fig. 6 Amanda Bradley
Rome
Fig. 4 Martin Greenwood
Saltram
Figs. 1, 2 © The Courtauld Photographic Survey
Sassuolo
Fig. 3 Amanda Bradley
Giulio Campagnola, landscape, and Venetian illumination
Brooklyn
Fig. 1 Copyright © 2004-2015 the Brooklyn Museum
Buckinghamshire
Figs. 15, 17, 19 © The Trustees of The Wormsley Fund
Chicago
Fig. 8 Newberry Library, Chicago
Dublin
Fig. 10. © The Board of Trinity College Dublin, the University of Dublin
London
Figs. 2, 11, 16 © Trustees of the British Museum
Figs. 3, 4, 7, 22, 25 © The British Library Board
Fig. 23 Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018
Manchester
Fig. 9 Copyright of the University of Manchester
New York
Fig. 13 Malcom Varon © 2018. Image copyright The Metropolitan Museum of Art / Art Resource /
Scala, Florence
Fig. 20 The Metropolitan Museum of Art, New York
Paris
Fig. 5 © RMN-Grand Palais (musée du Louvre) / Madeleine Coursaget
Fig. 18 © Beaux-Arts de Paris, Dist. RMN-Grand Palais / image Beaux-arts de Paris
Princeton
Fig. 21 Princeton University Library
Vatican City
Fig 6 © 2018 Biblioteca Apostolica Vaticana
Venice
Figs. 12, 24 2018 © Biblioteca Correr – Fondazione Musei Civici di Venezia
Fig. 14 On permission of Biblioteca Nazionale Marciana. Reproduction is strictly forbidden
Scientific intervention in two major Murillo canvases
Catania
Fig. 6 Paolo Romano y Claudia Caliri Instituto Nazionale di Fisica Nucleare (INFN-LNS) – Consiglio
Nazionale di Ricerca Catania (CNR-IBAM)
London
Fig. 5 © Heritage Image Partnership Ltd / Alamy Stock Photo
Madrid
Fig. 1, 2, 3, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20 Fondo gráfico IAPH – Eugenio Fernández
Ruiz y José Manuel Santos
Fig. 4 Fondo gráfico IAPH – Auxiliadora Gómez Morón
Onofre Falcó, a Spanish Renaissance master
Hartford
Figs. 8, 9 ©Allen Phillips / Wadsworth Atheneum
Madrid
Fig. 1 © akg-images / Album
Fig. 4 José Gómez Frechina
Fig. 10 © Photo Hauser y Menet, Madrid, (Información Artística-Junta Tesoro), Instituto del
Patrimonio Cultural de España, MCD
Fig. 20 Colnaghi
Fig. 16 © Moreno Archive, Institute of Cultural Heritage of Spain, MCF
Fig. 12 Photo © Archivo Mas
Valencia
Figs. 2, 3, 7, 15, 17 © Photo Paco Alcántara
Fig. 24 Jóse Gómez Frechina
Fig. 25 © Museo de Bellas Artes, Valencia
Fig. 23 © Sanchis Archive, Generalidad Valenciana, Arxiu Gràfic de la Conselleria d’Educació,
Investigació, Cultura i Esport
Misc.
Figs. 5, 13, 14 © Photo Paco Alcántara
Figs. 6, 11, 18, 19, 21, 22 José Gómez Frechina
Additional images available online for this article:
Madrid
C, D, E & F © Moreno Archive, Institute of Cultural Heritage of Spain, MCF
I © Sanchis Archive, Generalidad Valenciana, Arxiu Gràfic de la Conselleria d’Educació, Investigació,
Cultura i Esport
Misc.
A, B, G, H, J, K, L Jóse Gómez Frechina

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