Colnaghi Foundation Journal 04 - Page 172



PH OTO G RAP H I C C R EDITS
Every effort has been made to trace copyright holders and obtain permission for the use
of copyright material. The publisher apologises for any errors or omissions in the list
below and would be grateful if notified of any corrections that should be incorporated
in future reprints or editions of this book.
New light on Cecco Bravo, a Medici painter of mythology and landscape
F lorence
Fig. 2 The Picture Art Collection / Alamy Stock Photo
Fig. 6. © Gallerie degli Uffizi – Gabinetto Fotografico
Figs. 3 & 4 © Photo Scala, Florence – courtesy of the Ministero Beni e Att. Culturali e del Turismo
Philadelphia
Fig. 9 Philadelphia Museum of Art
Private Collection
Fig. 1 Image courtesy of Colnaghi, London
Figs. 5, 7 & 8 Francesca Baldassari, Photographic Archive
A curious truncation of Aegidius Sadeler’s Wisdom Conquers Ignorance
Stanford
Figs. 1, 7 © Lee Fatherree
F lorence
Fig. 2, 3, 4 and 5 © Gallerie degli Uffizi
V ienna
Fig. 6 © KHM- Museumsverband
Jan van Eyck’s Genoese patrons and the impact of the lost Lomellini-Triptychon
A ix-en-Provence
Fig. 10 Ste. Marie Madeleine, Aix-en-Provence, France/Bridgeman Images
A ltenburg
Figs. 26a & b © Bernd Sinterhauf / Lindenau-Museum Altenburg, Germany
Barcelona
Fig. 19 © Heritage Image Partnership Ltd / Alamy Stock Photo
Baltimore
Fig. 23 The Walters Art Museum, Baltimore
Beneto
Fig. 8 © [DEA/ PEDICINI]/ [De Agostini Editore] / [age fotostock]
Berlin
Fig. 13 © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz
Fotograf/in: Jörg P. Anders
Bruges
Fig. 15 Musea Brugge © www.lukasweb.be – Art in Flanders vzw, photo Dominique Provost
Brussels
Fig. 5 Image courtesy of the author
Fig. 11 © Royal Museums of Fine Arts of Belgium, Brussels / photo : Photo dart Speltdoorn &
Fils, Brussels
Chicago
Fig. 16 The Art Institute of Chicago
Cleveland
Fig. 24 Image courtesy of The Cleveland Museum of Art
D etroit
Fig. 21 Image courtesy of the Detroit Institute of Arts
D resden
Figs. 1, 2, 3 & 7 © bpk / Staatliche Kunstsammlungen Dresden / Hans-Peter KlutGENOA
G enoa
Fig. 14 Sailko / Wikimedia
G irona
Figs. 18a & b Image courtesy of the Cathedral of Girona
M unich
Fig. 27a © bpk | Bayerische Staatsgemäldesammlungen
Naples
Fig. 20, 22 © Photo Scala, Florence 
N ew York
Fig. 6 © Morgan Library New York
Rotterdam
Fig. 9 & 12 Image courtesy of the Museum Boijmans van Beuningen
Saragossa
Fig. 4 Wikimedia
Syracuse
Fig. 17 Wikimedia
Turin
Fig. 25 © 2019. Photo Scala, Florence – courtesy of the Ministero Beni e Att. Culturali e del Turismo
Washington DC
Fig. 27b Courtesy National Gallery of Art, Washington
Painting techniques in the work of Jusepe de Ribera:
a study based on development in the artist’s style. Approaching the issue
B uenos A ires
Figs. 16, 22 © Joaquín Cortés
M a dr id
Fig. 1 © Larco Química y Arte
Figs 3, 5, 6, 11, 13, 15, 18, 20, 21, 24 © Icono I & R
Figs. 2, 4, 7, 12, 23 © Joaquín Cortés
N a ples
Figs. 17 Image courtesy of Colnaghi, London
P r i vate C ollection
Figs. 8, 19 Images courtesy of Colnaghi, London
Figs. 9, 14 © Joaquín Cortés
Fig. 10 © Cuathli Gutiérrez
‘...la faccia bella, dolce et delicata tanto quanto la saprete fare’: Titian’s paintings
of the Salvator Mundi and the Temptation of Christ and their patrons.
A bu D ha bi
Fig. 5 © 2017 Christies Images Limited
C a lvagese dell a R i v ier a
Fig. 6 © 2018. Photo Scala, Florence
D resden
Fig. 10 © bpk | Staatliche Kunstsammlungen Dresden | Elke
F lorence
Fig. 2 © 2018. Photo Scala, Florence – courtesy of the Ministero Beni e Att. Culturali e del Turismo
London
Fig. 9 © The National Gallery, London
M inneapolis
Fig. 12 Minneapolis Institute of Art
New York
Fig. 7 © 2018. Image copyright The Metropolitan Museum of Art/Art Resource/Scala, Florence
St Petersburg
Fig. 11 Photograph © The State Hermitage Museum /photo by Inna Regentova, Sergey Pokrovskiy
Vienna
Fig. 3 © KHM – Museumsverband
Unknown
Figs 1 & 4 Courtesy of a Private Collector
Fig. 8 Photo courtesy of a Chinese Collector
Reflections on a Chinese porcelain cat, seated on bronze cushion, once in the
collections of Madame de Pompadour  
B uda pest
Fig. 9 Photo: Razso Andras © 2018. The Museum of Fine Arts Budapest/Scala, Florence
L ondon
Fig. 2 © Trustees of The British Museum
M unich
Fig. 4 © bpk / Bayerische Staatsgemäldesammlungen, Sammlung HypoVereinsbank, Member of
UniCredit
N ew Yor k
Fig. 5 Image courtesy of the Metropolitan Museum of Art, New York
Pa r is
Fig. 1 & pages 98 & 99 © Christophe de Quenetain
Fig. 7 © Roger Viollet
Pasa dena
Fig. 3 © The Norton Simon Foundation 
R ichmond
Fig. 11 © Virginia Museum of Fine Arts, Richmond
V ersa illes
Fig. 6 © RMN-Grand Palais (Château de Versailles) / Gérard Blot
Fig. 8 Photo © RMN-Grand Palais (musée national des châteaux de Versailles et de Trianon), Gérard
U nk now n
Fig. 10 © Peter Horree / Alamy Stock Photo
Pedro Orrente and the Nine Worthies
M a dr id
Figs. 7 © Museo Nacional de Artes Decorativas.
Figs. 9, 16 Biblioteca Nacional
P r i vate C ollection
Fig. 1 Image courtesy of Colnaghi
U nk now n
Figs. 2, 20 Images courtesy of Artur Ramon Art
Fig. 10 © Archive Fernando Benito
Figs. 15, 18 © IPCE
Fig. 21 Image courtesy of Vicente Coll
Va lenci a
Figs. 3, 4, 5, 6, 8, 11, 12, 13, 14, 17, 19 © Photo Paco Alcántara
Figs. 22, 23 © Arxiu general Valencia
Selling Botticelli to America: Colnaghi, Bernard Berenson and the sale
of the Madonna of the Eucharist to Isabella Stewart Gardiner
Boston
Figs. 1, 3, 4, 15, 16, 18, 19, 22 and 23 Isabella Stewart Gardner Museum, Boston
Cambridge , M assachusetts
Figs. 2 & 6 Biblioteca Berenson, Villa I Tatti – The Harvard University Center for Italian Renaissance
Studies, courtesy of the President and Fellows of Harvard College
Fig. 10 Houghton Portrait File, Houghton Library, Harvard University
D evon
Fig. 20 © Devonshire Collection, Chatsworth. Reproduced by permission of Chatsworth Settlement
Trustees.
F lorence
Fig. 7 Wikimedia Commons
London
Figs. 5, 12, 13 & 21 Image courtesy of Colnaghi Archive, London
Fig. 8 © Tate, London 2018.
Fig. 9 Private Collection / Bridgeman Images
Fig. 11 Illustrated London News
Fig. 14 IIbusca
New York
Fig. 24 © Copyright The Frick Collection
Rome
Fig. 17 Wikimedia Commons

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