Juan de Mesa_Master of Passion - Page 127



notes
1.
This article is an abridged versión of the unpublished “Memoria final de
project, see “Memoria final de intervención. Cristo de la Agonía, Bergara.
intervención. Cristo de la Agonía, Bergara. Guipúzcoa. Juan de Mesa. 1622.
Junio de 2018,” prepared by Eva Villanueva Romero of the Departamento de
Guipúzcoa. Juan de Mesa. 1622. Junio de 2018,” pp. 7-9 and 27-48.
4.
Estudios Históricos y Arqueológicos, Centro de Intervención, IAPH, Seville.
intervención,” pp. 8-9.
The project was led by Lorenzo Pérez del Campo. The technical coordinators
5.
A cuarta is roughly equivalent to a handspan. TN.
were Araceli Montero Moreno, María del Mar González González, and
6.
José Hernández Díaz, “Un cristo para Juan Pérez Irazabal”, in Documentos para la
Reyes Ojeda Calvo. Conservation and restoration were done by María Teresa
Real Palma, Cinta Rubio Faure and Eugenia Padero Jojlova. Analyses were
Historia del Arte en Andalucía t. I, Sevilla, 1927. Pp 154-155.
7.
done bu Auxiliadora Gómez Morón and Victor Menguiano Chaparros. The
and José Manuel Santos Madrid.
over the centuries see “Memorial final de intervención,” pp. 9-11.
8.
Iglesia Santo Angel, Sevilla. This exhibition celebrated 400 years of the wood
“El rostro con magestad y decoro sin torcimiento feo, o descompuesto, así como convenía la
soberana grandeza de Cristo Nuestro Señor.” Francisco Pacheco, El Arte de la Pintura,
sculpture of the crucified Christ as defender of the helpless by Juan Martínez
3.
It has been shown in several exhibitions and therefore moved to Madrid in 1969
and Seville in 1989 and 2017. On the great interest occasioned by the sculpture
photographic and radiographic studies were done by Eugenio Fernández Ruiz
2.
For further information on previous restoration work, see “Memorial final de
Bonaventura Bassegoda ed., (Madrid: Catedra, 1990), vol. 2, p. 37.
Montañés. TN.
9.
See note 3 above.
For a full account of the state of conservation of the work before the IAPH
10.
“tinta plana”.
Fig. 96 Juan de Mesa, Cristo de la
Agonía, polychromed wood, Bergara,
church of San Pedro de Ariznoa.
133

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